Friday, June 27, 2008

Search Marketing: Finding the Value Beyond Conversions


Wednesday night, approximately 150 attendees were on hand at the monthly meeting of AiMA (Atlanta interactive Marketing Association). The topic was Search Marketing: Finding the Value Beyond the Online Click to Conversion. According to AiMA’s current vice president and president-elect Joe Koufman, AiMA is one of the most active marketing associations of its kind in the country.

The event was listed in this week’s Bernaise Source Buzz — my ongoing calendar of keys events in Atlanta (with a nod to the South and national conferences) to build awareness and adoption of social media. I felt there was a need for a centralized site to track social media events around the city.


Jason Fisher, Roku Coryne, Ron Belanger

Moderated by John Cattarulla, Director, Strategic Accounts, Yahoo, the panel included:

Ron Belanger - VP of Agency Development, Yahoo!
Roku Coryne - East Coast Manager, Search & Analytics, Google
Jason Fisher - Group Director, 360i

During the 90-minute discussion, I was struck most by what Ron Belanger had to say. He confirmed what PR professionals are now realizing: the boundaries between marketing, PR and advertising are collapsing. Social media is clearly an opportunity for PR to play a broader role in marketing decisions.

A recent SEMPO survey indicated that direct sales and branding are the top objectives of paid placement programs. There is value even if users don’t click through and buy. Sounds like PR to me.

Belanger also reminded the audience of the importance of search in the post purchase experience. Customers often go to the Web when they have questions or problems with a purchase. Those searches are great opportunities to strengthen the brand experience and deflect expensive calls away from support centers.

By way of example he cited Hellmann’s Real Mayonnaise campaign. For the health conscious, mayonnaise is bad thing. I often use the imitation stuff if I am going to use mayonnaise at all. Working with Yahoo, Hellmann’s took the ingredients issue head on and focused on the real in real mayonnaise as opposed to chemical laden alternatives. Belanger showed an ad they ran, which included a link for consumers to get information, share stories, and learn more about Hellmann’s, mayonnaise, real food, and engage in conversation.

With hundreds of consumers participating in the campaign, Belanger stressed how the ad campaign and search effort highlighted the importance of engagement.


But what about measurement?

As important as brand building is, measurement is never too far away from any marketer’s heart, and conversion is still very important.

With heaps of praise for Avinash Kaushik, Roku Koryne talked about some of the fine points of web analysis including “Bounce Rate.” That’s the percentage of traffic that enters and leaves on same page. It’s a powerful metric and directly tied to conversion. Obviously a high bounce rate means the site generated very little interest. It’s an indication of how much scent (“consumers are like bloodhounds looking for their prey”) or stickiness. The higher the bounce rate, the greater the likelihood that consumers are using the wrong key words.

Koryne cited two numbers of note: 4 and 25. Four is the average number of key words in a phrase that consumers use when search and 25 represents the percentage of new terms that appear on Google Search each day.

She also talked about “conversion funnels” as a way to examine how, when, and why consumers leave a site. What caused them to abandon a site is as important as what caused them to stay.

In addition, she showed how data can drive marketing decisions rather than preconceived notions or HIPPO (the highest paid person’s opinion). She cited how Skype designed three landing pages to test customer response. They chose the page with the highest conversion rate.

Finally as many of us know, measurement is fragmented across the brand and the company – with different stakeholders focusing on different metrics and priorities. Koryne stressed the importance of seeing the big picture and how offline marketing can have a big online impact.

And so while marketers are adapting PR practices, it doesn’t let us off the hook. To be effective, PR professionals need to remain vigilant in finding ways to effectively measure our results, work closely with advertisers and tie efforts back to business objectives.

Let me get back to you.

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Monday, June 23, 2008

Bringing Social Media to the Atlanta Music Scene


Antone Street, Atlanta


This unassuming street in midtown Atlanta houses the productions studios of some of the biggest names in the music industry, including OutKast’s Stankonia Studios, Music Mogul Group and Zac Recording. And nearby are the offices and studio of Dallas Austin.

It’s also the headquarters of Maestro (blog). Replete with a giant aluminum can collection of locally brewed Diet Coke, Maestro is a social media company that hopes to transform how we listen to and share music.


Co-founders Clarkson Logan and Greg Shrader with Aaron Rosen

Two of the co-founders CEO Clarkson Logan and COO Greg Shrader met in business school at the University of Georgia. The other co-founder, Daniel Escobar is also from the South — Colombia, South America.

Conceived three and half years ago and launched in March, Maestro is, in their words, “attempting to build a web-based social music platform where users can remotely access their entire music library from any browser, interact with their music and their friends’ music, find out information about the music they are listening to, stream their playlists to MySpace or Facebook, send playlists to their friends or anyone else they want to…and purchase MP3s of the songs you hear as they discover new music.”

From Thomas Edison to Napster, technology has long played a major role in the way music is distributed. Social media is the next step, shifting the balance of power along with it.

Perhaps that’s why (as fellow blogger James Andrews pointed out to me) Atlanta’s Jermaine Dupri recently declared the DJ is dead.

Whether he is overstating his case is open to debate, but users are exerting their influence by bypassing traditional distribution channels. They are also using social media to create content and, through playlists, influence how music is packaged, promoted and sold. Conversely, artists can create customized playlists (add audio clips, songs from other artists that influenced, etc) that strengthens ties to their fans. Creativity is to be found in both the songs themselves and in the playlists that contain them.

As Aaron Rosen who heads Maestro’s business development and social media product development wrote me:

Playlists become a new form of promotional tool, yet can wield as much power as any other. Paralleling the industry as a whole is the fact that with the outbreak of digital music comes new business models, and new figures and tools within these markets. The average music fan now has the capacity to become the DJ of old.

Looking for other examples of social media’s influence? Consider:

Radiohead album’s Rainbow. Radiohead made news last year when they announced that they were going to let their fans determine what they wanted to pay for their music.

Or look at Soulja Boy who rivaled more established musicians by using YouTube to distribute Crank Dat or Colbie Caillat who achieved fame through MySpace.

Curtis James Jackson III aka 50 Cent aka Fiddy declared “What is important for the music industry to understand is that this [file sharing] really doesn`t hurt the artists!”

Making Atlanta Home

It’s not surprising that Logan and Shrader would make Atlanta home. University of Georgia is in nearby Athens, another music mecca and the home to REM and B-52s – bands I “grooved” to in my pre-Web college days.

Yet with all this musical heritage, you’d think Atlanta would be a natural place to wed Web 2.0 and music. Not yet, according to Maestro’s founders. From the investment community, web 2.0 is still a hard sell, and user adoption still lags behind San Francisco.

Clarkson often gets the “same feedback.” Investors grapple with the model and want to see “massive growth or revenue first.”

They too thought of moving to the Valley, where the technology community gets this marriage of music and technology, but as Clarkson said they want to “put a stake in the ground.” They firmly believe Atlanta’s music community is the ideal place to launch a music distribution company. And they see social media as they way to get there.

Challenging the Competition

Maestro faces the same hurdles that any startup faces – attracting capital, establishing connections and educating investors and customers about the market. But Maestro feels they have technology on their side.

Stressing they are about music first, community second, they understand how the Internet is subverting traditional distribution channels and business models.

That’s of course not news. What will be news is a new platform where artists who want to make money and consumers who want to pay less (or not at all) are both happy.

In this pursuit, Maestro faces competition from companies like imeem, ilike and Last.fm. As new technology and new business models emerge, how are companies like Maestro going to differentiate themselves?

To Clarkson, the secret sauce is combining remote access to music and social discovery as well the mobile platform they are developing. They believe their technology and backend capabilities will provide a competitive advantage. They contend they are the only company that combines remote access and social discovery.

Unlike imeem, Maestro is only focused on music. With 50 percent of all Internet users listening to music online (Arbitron), and music enjoyment being the #1 use of technology during consumer downtime (Center for Media Research), Clarkson wrote me that “Maestro’s new music platform is set to influence how music will be used in the future and how the music industry can generate revenues from their creative assets.”

Mindful of legal challenges that have beset previous efforts, Maestro is very focused on a business model that address royalty and compensation issues.

For now, their goals are to generate buzz, increase their position in the marketplace, drive traffic, and provide a better experience. Achieving these goals will go a long way towards helping strengthen Atlanta’s position as a market for both cutting edge music and music technology.

Let me get back to you.

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Thursday, June 19, 2008

Atlanta Firefox 3 Launch Party


Last night I attended a Firefox 3 Launch Party here in Atlanta at the Park Tavern off Piedmont Park. Firefox is hoping to set a new mark in the Guiness Book of World Records for the most downloads in 24 hours.

Outside in the park, it was another spectacularly lit early evening. Inside the darkly lit tavern about 25-30 tech geeks (I use the phrase in the highest of praise) and several Macs were on hand to celebrate and download. The evening was co-sponsored by Atlanta based companies StomperNet and Appcelerator.

StomperNet’s Andrew Edmonds is a big believer in Firefox’s open source philosophy. He organized a Firefox 1.0 launch party in Boston a few years back. In true open source spirit, StomperNet is using this day to launch a free Firefox plug-in for SEO.

While I am sure there are much larger parties taking place across the country, it is heartening to see members of Atlanta’s computer community getting behind a global Internet event.



Launch Party attendees


StomperNet’s Andrew Edmonds


Jessica Chris, Jon Gosier and Jeff Haynie

Let me get back to you.

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Monday, June 16, 2008

Building a Social Network for Collectibles


WorthPoint CEO Will Seippel (left) and members of WorthPoint team


As a self-proclaimed “old guy” who prefers Atlanta to Silicon Valley and a father of 5, including quadruplets (age 11), Will Seippel is not your typical social media CEO.

With around $5 million in the bank from his own pocket and from friends, WorthPoint is not your typical startup.

Worthpoint is an online database and networking site for collectors. Think PBS Antiques Roadshow Meets Wikipedia, Wisdom of Crowds and Long Tail. (There is value all the way down the supply chain because what is somebody’s garbage is another’s treasure.)

In fact, Seippel doesn’t see WorthPoint as “the premier Website for collectibles and antiques.” Instead, Worthpoint is a “data company,” and social media is a way to monetize and manage information.

To Seippel with a 25-year track record of successfully turning around more traditional companies (he came in and helped AirGate PCS boost its stock price from $0.64 to $36), the world of collectibles represents a “data conundrum.” He is working to create more efficiency in the marketplace so that a buyer can find a desired object more directly. He is building a giant taxonomy to organize the vast amount of stuff that humans have created and stored over time.

He hopes to create a legacy to improve the world of collecting – and that world is a $150 billion a year industry. He rejects the idea that the antique business is a dying business.

WorthPoint’s motto: “We are here to help people make money.” It’s particularly ironic that in an age of bits over atoms and the “everything will be free” model that physical objects are commanding record prices.

$103,000 Painting Found in a Trash Can

There are stories like the one where WorthPoint helped a woman sell a painting she found in the trash for $103,000 at a Sotheby’s auction. But Seippel also understands how a lack of knowledge can cost someone dearly.

Seippel tells the heartbreaking story of a woman he knew who regularly struggled to make ends meet. After her mother died, she rented a giant dumpster to cart away the bulk of her mother’s belongings and sadly the means to help her live comfortably for the rest of her life. Among the objects thrown away were highly valuable copies of Ebony Magazine with Martin Luther King on the cover.

Unassuming and grounded, Seippel married his high school sweetheart. He admits he is avid collector, an interest that began in college. He sees WorthPoint as a huge opportunity to attract dissatisfied users who want an alternative to EBay and to auction house giant Sotheby’s that according to Will has no plans to leverage the Web to drive growth.

EBay proved there is a market. The long tail showed there is money to be had in the seemingly obscure; and Wikipedia demonstrated that knowledge can be collective and expertise need not be hierarchical.

And who drives this growth engine – a community of users – growing at a rate of 300 to 400 members a day. It’s a giant data undertaking. With 2 million page views a month and 2 million pages of data, WorthPoint is by Will’s estimate the largest implementer of Drupal, an open source application for building online social networks.

WorthPoint is a global community where registered members can post questions about their collectibles and antiques. According to Seippel, many can pay as much as $500 to $700 for this information on other sites.

It is also a paid service where registered members can get unbiased expert opinion from individuals known as “Worthologists” (ages 11 to 80 plus) that have passed background checks and yearly conflict of interest assessments. It’s a site where there are plans for individuals to earn “WorthPoints” (based on how much people like their answers) and suggest changes to the WorthPoint’s taxonomy on a “semi-wiki.”

WorthPoint’s business model is based on premium subscriptions, advertising, appraisals, and transaction fees. He hopes to be profitable next year.

In addition to making money for collectors and investors, Will wants WorthPoint to help Atlanta tell its technology story. He understands the fear that surrounds many Web based models. He for one turned down California incubators that wanted to fully fund the company. He rejected recommendations to change the name and partner with a younger guy to give the company a more youthful image. He has an East Coast sensibility and wanted to keep his kids in school here in Atlanta.

The idea for WorthPoint came to Will 4 or 5 years ago, but the company was actually started last year at George Mason University in Virginia where he was vice chair of the business school. He could have kept the business there near the Dulles-Reston high tech corrider, but he was drawn to the Advanced Technology Development Center (ATDC) in midtown Atlanta. He was attracted to the feeling of community of entrepreneurs it fosters and the spirit of giving back.

In chronicling Atlanta’s social media efforts, I have talked to some really talented individuals who have been drawn to Silicon Valley. They are smart, young and ambitious. At 51, Will is at least two of those things.

Candidly, I was drawn to his vision that sees a world of dusty objects in closets, garages, attics and prized possessions on living room mantels through the prism of web 2.0. Hopefully, his track record and ability to embrace a fresh way of thinking will spark executives of all ages to reassess antiquated ways of doing business.

Let me get back to you.

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Thursday, June 12, 2008

Should “Tony the Tiger” Use Twitter?


Tony the Tiger, Ronald McDonald, the Jolly Green Giant – all are part the pantheon of famous characters that have helped companies personalize their brands over the years.

Today, through the power of social media, employees from rank and file to management are also getting into the act of helping to build more informal, more personal relationships with their customers.

Consider Twitter.

Now I have a confession. I follow others on Twitter, and others follow me, but I have to admit I have been slow to embrace this technology and the 140 characters it provides per posting.

But I have gained a new perspective after talking to Dave Eckoff the other day. He is a Twitter enthusiast.

He told me about Tony Hsieh, CEO of Zappos. Hsieh is an avid Twitter fan. His tweets have gotten a lot of recognition form bloggers like David Armano.

In another interview with Toby Bloomberg, Hsieh revealed that over 300 of his employees are using Twitter. His primary goal: “Our main motivation for getting our employees to join Twitter was to help improve our company culture.”

Hsieh told Tim Brunelle, “We’re interested in forming lifelong, meaningful relationships with our customers, so the more engaged our customers are, the more likely that will happen.”

And then there is Jim Long founder of Verge New Media and a television cameraman for NBC News who tweets regularly about life on the frontline covering breaking news.

So popular are his tweets that Connie Reece commented on his blog that his use of Twitter motivated her to start watching Meet the Press – a welcomed response for the network news executives who continue to experience declining viewership.

And finally there is the example of Comcast and Frank Eliason from Comcast Customer Outreach who uses it as a touch point to assist customers.

Rethinking Traditional Brand Strategies

Traditional advertisers could learn a thing or two from Tony Hsieh, Jim Long and Frank Eliason.

It occurred to me that what is good for CEOs, cameramen and service reps could also be true for company mascots or spokescharacters. If Twitter can take companies to the next level of customer interaction, maybe it can inspire brand managers to make their characters and products more engaging.

Maybe it’s time for these advertising icons to enter the social media age and start microblogging.

Now I was reminded that character or fake (depending upon your perspective) blogs have been the subject of much controversy. But maybe it’s time to revisit the topic in light of the customers-as-friends phenomenon made popular through social networking sites like MySpace and Facebook.

In addition, there was a story in the New York Times this week on how companies are updating their characters to appeal to today’s Internet savvy generation.

Imagine getting regular Twitter updates from:

The Jolly Green Giant who can share nutritional information and the challenges of being too tall particularly when sitting in coach on airplanes

Or Pop ‘N’ Fresh – the Pillsbury Doughboy - who can discuss recipe ideas and his feelings about being regularly poked in the stomach

Too much information? Perhaps, but putting aside Tony the Tiger’s possible use of Twitter, social media has important implications for brands.

It comes down to brand integrity. While social media helps build stronger connections and extends the brand, it can also tie specific individuals to products and companies. The challenge of course is determining how close that relationship should be. What happens if that individual leaves the company? It is not as simple as starting a new ad campaign. Customers will have invested in this individual, and it may be disruptive to the brand experience.

Of course, advertisers face similar brand challenges when companies end relationships with celebrities and athletes who endorse their products. Customers can make the transition, but in the case of social media you want to avoid having the employees become larger than the brands that employ them.

Food for thought as you eat your morning cereal and read on Twitter tales of that silly Rabbit and what he really thinks when he can’t get hold of that box of Trix.

Let me get back to you.

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Monday, June 9, 2008

Social Media: When Risk Becomes Necessity

As PR and marketing professionals, our jobs involve assessing risk. Risk is the possibility of loss, damage, or any other undesirable event.

And what’s more risky these days than social media. Decentralization, transparency and conversations are departures from the safe and the familiar. Poor execution can weaken the brand and damage corporate reputation. How often have you heard executives say, “I don’t want to give customers a platform to say negative things about us?”

Many companies are still opting to take a pass, postpone plans or continue to “consider their options.”

Now as a former corporate communications vice president, I appreciate the need to minimize risk. I understand that decisions are often reached by consensus (or depending on your perspective, committee). Bold action can be reckless or impolitic.

But as I move ahead with plans to launch a consultancy and in talking with potential clients, I have reached the following conclusion – When risk becomes necessity, it is no longer a choice.

You must act. The fear associated with risk is diminished. In its place is a clear line of attack.

Consider the following. You are in the second floor of burning building. Jumping out a window would normally be risky. But now staying in the building is more risky. So you jump.

This is not just a game of semantics. As we all know, there are real business consequences at stake with the decision to take a risk.


Reaching A Social Media Tipping Point

Social media may involve unacceptable levels of risk, but at a certain point, the opposite will be true. Not acting will mean real loss (of customers) and damage (to your reputation).

It would be interesting if we could create a way to graph the social media tipping point – the point where no action is worse than action. That tipping point would vary from company to company and industry to industry, but it would include the following matrices:

• Actions by competitors – competitors launch initiatives that position them as leaders, which in turn attract attention, generate more sales, and increase market share

• Online conversations of your customers – negative comments increase or the number of conversations starts declining suggesting a diminished brand or increased irrelevance

• Reactions by existing and potential employees – employees appear less engaged and attracting new younger employees becomes more difficult

As advocates of social media, how can we minimize risk? We can’t change market dynamics, and we can’t implement business strategy unilaterally. But we can monitor actions by competitors, online conversations by customers, and reactions by employees. We can build internal consensus by educating executives and rank and file on the benefits of social media. We can form partnerships with the marketing and product development teams to help build in social media components. And we can help determine ROI for department heads who are looking to cut costs and increase revenue.

It is said no one was ever fired by hiring IBM. There is safety in what is familiar. As market professionals we need to respect the power of risk.

But I will maintain that when it comes to social media, it is a matter of when, not if. Waiting until risk becomes necessity comes at a cost. Are we willing to cede a possible competitive advantage? Is that a risk we are willing to take?

Let me get back to you.

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Friday, June 6, 2008

Mobilizing Social Media

Streamverse CEO Mikael Vinding


On Monday, I wrote about a company that left Atlanta for the allure of Silicon Valley. Today I look at a social media company that decided to stay.

Mikael Vinding likes things simple – simple for him and simple for his customers. He wants to eliminate needless barriers when it comes to venture funding, and he wants an uncomplicated mobile experience for users.

A Danish native, Mikael is also CEO of Streamverse, an Atlanta-based software development company that is trying to bring the power of social media to mobile devices. Streamverse is focused on producing revenue-generating content solutions for wireless carriers.

Vinding is also Chief Jygynaut.

JYGY is the brand name of Streamverse’s flagship product. Its a play on jiggy - meaning fun / cool. (“Think Will Smith’s hit ‘Getting Jiggy With It.’”) It allows mobile subscribers to develop and distribute content they have created via their mobile units and other digitally connected peripheral devices.

The JYGY software platform easily and inexpensively integrates into a carrier’s existing messaging architecture. Using JYGY mobile subscribers can easily create and share applications such as blogs, polls, chat, image sharing, and IM, as well as search and organize messages. By integrating web 2.0 networking features as a part of the carrier mobile social network feature, Vinding believes they will experience faster adoption of new services, increase SMS and MMS revenues and attract new subscribers.

A Chance Meeting at Web 2.0 Expo


Ironically, it took a trip to San Francisco for me to meet this Atlanta transplant. At the Web 2.0 Expo in April, I bumped into Vinding on the Expo floor when asking him where he found the ice cream bar he was eating. I never did get the ice cream, but I did learn that his goal was to be “the number one way to add cool mobile content to whatever social network you are in.”

Their subscriber numbers are still in the thousands, but the market for mobile social networking services is promising.

Based on a recent report by Nielsen Mobile, “the U.K. leads Europe in mobile social networking on a percentage basis — with the U.S. boasting comparable numbers.” And according to the estimates of Strategy Analytics, worldwide revenue from mobile data services is predicted to jump from an estimated $61 billion this year to $189 billion in 2009.


Streamverse believes that one primary influence driving the rise in revenues will be user generated content. UGC gives the end-user the ability to develop as well as distribute content that they have created via their mobile phones and other digitally connected peripheral devices.

Demographically, Streamverse is well suited to be headquartered here in Atlanta.

David Harnett, vice president of technology industry expansion at the Atlanta Chamber of Commerce told me that Atlanta has more cellular users than any large city in the country. That makes sense given that Atlanta is home to ATT Wireless, and Alltel and T-Mobile have a significant presence here as well. Atlanta also leads the nation in attracting highly educated 25-34 year olds – a prime demographic for mobile carriers.

So with all these factors in Atlanta’s favor, what allure did Silicon Valley have for Vinding?

Putting aside the pollen, it comes down to funding and the steps necessary to get it.

There is a lot of pressure from the venture community to relocate out West. More than once, Vinding has been asked “Why Atlanta?” According to Mikael, the vast majority of funding in the mobile social apps is west coast based.

And back to Vinding’s quest for simplicity, the introduction and approval process is easier out there as well.

In Atlanta, the investment community is still very risk averse. Many don’t understand a business model based on a teenager’s passion for texting, mobile devices and virtual communities.

Vinding recounts the time when he needed seven introductions to arrange one meeting and then had to fill out two pages of single spaced questions about his business strategy. In Silicon Valley, a key introduction was made by Linkedin and took four minutes for the venture fund on Sand Hill Road to understand his model.

Nevertheless, Vinding still plans to stay here in Atlanta. While Vinding maintains a presence in Palo Alto, he is currently in the process of relocating from suburban Atlanta to Midtown.

Now in his thirties, Vinding moved to Atlanta to work in the telecommunications space. It is home for him and his family.

While you still can’t show up to VC offices in shorts and T-shirts, he sees that the Atlanta business culture is beginning to change.

Let me get back to you.

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Thursday, June 5, 2008

Spreading Tech News…Locally


Roundtable discussion at monthly TAG Enterprise 2.0 society meeting

Where do you get your news and information about local tech companies? Conversely, if you are a company, how do you get the word out about your company to the local community? Local newspapers, websites, blogs, local networking events? Or do you rely on Internet sources like CNET, Techcrunch, Mashable?

In San Francisco, finding local tech news is less of a problem. Local papers like the San Francisco Chronicle and San Jose Mercury News make technology news a priority. They have to; technology drives the economic engine out there.


But in many cities that is not the case. Often times, local tech news is ignored unless you are a dominant employer. There is not the space or resources to cover the tech industry in depth. In Atlanta, for example, the name of the game is real estate. Facing increased economic pressures, papers like the Atlanta Business Chronicle must play to their strength. They have not replaced their local tech reporter as Scott Burkett recently lamented.

That is why I am intrigued by what I learned yesterday while attending the monthly Technology Association of Georgia Enterprise 2.0 meeting here in Atlanta. In a discussion about wikis and collaborative tools, I learned about a local initiative called TechPedia Atlanta.

TechPedia is a wiki devoted to the local tech community here in Atlanta. Still in development, TechPedia is a non-profit entity that follows the highly successful Wikipedia model. It’s the brainchild of several members of Atlanta’s tech community including John Yates and is being developed by Atlanta based entrepreneur Jeff Haynie.

But where Wikipedia has very strict policies about corporate content contributions, Justin Rubner former technology reporter at the Atlanta Business Chronicle and the TechPedia co-founder and editor says he will edit entries with a “light touch.” Now at the Content Factor, he will flag defamatory or libelous comments but by and large contributors will drive the content.

It is Justin’s hope that TechPedia will help establish Atlanta as a center for technology. The first step is chronicling what is happening.

Besides there being a “dearth” of local technology news coverage, John Yates is motivated by a sense of history. He believes TechPedia is a good idea because:

- There is no written history or online source that is chronicling the history of Atlanta’s tech community;

- TechPedia can serve as a resource for investors, corporate executives, and members of the tech community that eliminates the piece meal approach to tracking down information;

- TechPedia will record the lives of a generation of tech pioneers who are getting older or passing away.

Justin believes you can’t ignore powerful trends. Technology will increasingly play a large role in the economy, and social media will increasingly play a large role in helping to tell its story.

If successful, Justin can see the day when other cities leverage the TechPedia format as a source for local tech information.

Let me get back to you.

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Monday, June 2, 2008

A Tale of Two Companies

Suleman Ali - Co-Founder of Esgut

This is a tale of two companies — one that decided to stay and one that got away.

Their stories are unique. And like the issues I discussed in my profile on Paul Stamatiou, their success points to the opportunities and challenges of being a technology company in Atlanta.

Today, I look at the one that got away.

For weeks I tried to track down the names of the founders of Esgut, an Atlanta based company responsible for some of the most popular applications on Facebook. It was part of my quest to chronicle social media success stories here in Atlanta. Their web site said little, and Google searches yielded no clues.

And then in April I got a tip from a local entrepreneur. Esgut had been bought by northern California based Social Gaming Network. A quick search on Google led to an Inside Facebook entry, and there I had it — a name of its co-founder, Suleman Ali, Suli for short, a 26 year old graduate of Georgia Tech.

I sent an email and within an hour or so, a response – “You found me,” Suli wrote jokingly.

Mystery solved, but not exactly. The bigger mystery was why another promising young entrepreneur had left Atlanta for the lure of Silicon Valley.

Suli’s career path began with a BA in Computer Science from Georgia Tech in 2003. Ironically, he didn’t think much of computer science geeks while in high school. But the riches of the Dot Com era proved alluring and reading a bunch of books on the subject was “intellectually interesting.”

While working as a developer and program manager at Microsoft in Redmond, he discovered a passion for creating products. After a Microsoft product launch at the Computer Electronics Show, he sold everything, intent on moving to Palo Alto and doing it on his own. But before he made the move, FaceBook launched its open platform to developers, and Suli saw an opportunity.

He teamed up with Jamal Ashraf, moved back to Atlanta, and together they formed Esgut. (That’s German for it’s “all good.” Apparently, Jamal took German in college.) Of course, as Suli confided, he now had two difficult names to pronounce – his company’s and his own.

Superlatives was their first success – a Facebook application that let’s “you tell friends what you think of them” as in who is most likely to…

The goal was to attract a couple hundred to a few thousand total users. At its peak, Superlatives was growing by 150,000 users per day. And it eventually grew to nine million total users. Revenue was ad generated.

They turned down funding, worked under the media radar, hired a band of young and ambitious coders from Argentina and found a really talented intern from Georgia Tech.

With the success of Superlatives, they created other applications including Text Twirl and Entourage, which enabled Facebook users to create a collage of their friends on their profile. The more friends, the cooler it looked which is what viral is all about.

After initial success, however, they noticed some trends that made them reconsider their next move.

From Suli’s perspective, the Silicon Valley investment community he spoke with was more aggressive and on board with Facebook fever than the folks he met in Atlanta. They definitely could have raised money. And given their market position, he felt there was opportunity to take the business to the next level.

However, as Suli wrote me, he realized that there were several inherent risks in getting there–the Facebook platform was changing. As Facebook “dialed down virality on channels,” Fortune 500 and VC backed companies were entering the space and driving up development times and costs, and Esgut’s success on Facebook would not necessarily translate into success on Myspace, Hi-5, and other social networks.

Of course Atlanta was a nice place and offered cheap rent. Along the way they developed good relationships with folks like Dave Williams co-founder of 360i, who was very helpful. But in the end, they agreed to be acquired by Creative Gaming Network. They liked its commitment to high production values and immersive experience.

And so Suli is now in Silicon Valley where he had intended to be all along with the greater opportunities he thinks it presents for him. His goal is to start another company. It appears to be in his DNA.

His advice for would be entrepreneurs:

  • Hire really smart people
  • Pick opportunities based on your assessments of the upper limits within a marketplace dynamic
  • Live in Silicon Valley

From his perspective, Silicon Valley is more conducive to partnership building and multiple investments. The investment community has deeper contacts to promote relationships. From an educational perspective, Suli felt Georgia Tech encourages students to join large companies. Stanford on the other hand encourages students to be more entrepreneurial and join startups.

While we lost a promising entrepreneur, his experience is encouraging for fellow Georgia Tech grads. It demonstrates that in the age of social media, it does not really matter where you start your company. Talent, drive and vision know no boundaries. What is far more challenging is how to keep that talent, drive and vision here.

Later this week, I will look at a company that stayed.

Let me get back to you.

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Posted by Dan Greenfield at 12:42:04 | Permalink | Comments (2)